It might seem like all’s gone quiet on the Riot front, but we are actually furiously at work behind the scenes gathering a shortlist for our Sound and Music Portfolio Scheme and preparing music that we’ll be performing this Autumn.
Here are some little musings from a pianist holed up in his garret practising Rzewski’s sprawling opus. As I write this, I have the words of one of my own tutors, David Fanning, ringing in my ears: ‘I would love to play that piece. The thing is I would need a sabbatical just to put the fingering in.’
So if you’re in the vicinities of Chichester (November 7th), London (November 11th) or Brighton (November 14th) you may be interested to know the back-story, the hours of preparation, my tales of woe. Because I don’t have a sabbatical, and I only have just over three months left to go before the concert.
But I should not complain. I am lucky to live in a nice place. Whenever I wish I can walk out on to the balcony and smell the sea air, barbeques and (err…) burning human flesh from the sun-soaked beaches of Hove Lawns. I myself have been swimming in the sea every day since June, alongside jogging, press-ups and sit-ups. (As a result I am now very good at all of these. But I haven’t lost any weight…).
Happily, work’s been relatively quiet too. Even Aaron (our glorious and venerable Riot Ensemble Artistic Director) has lain off sending me a gazillion emails while he is taking the Aspen Music Festival by storm.
And, even more happily, today marks a milestone because it now looks as if I will actually be able to play this piece! Sorry if that sounds a bit churlish. Why, after all, would I have agreed to play it if I wasn’t sure of this before?
Because it’s all about targets, goals, objectives.
The piece itself is a mission. The composer himself says: ‘The extended length of the composition may be an allusion to the idea that the unification of people is a long story and that nothing worth winning is acquired without effort’.
Effort… and rigorous organisation.
So I have a battle-plan. I have separated the 38 strands (36 variations and the theme book-ending at either side) into five columns with different practice methods for each:
- ‘Can already play at tempo’. Hmm…. only six of these so far… (and they exclude the whistling bits – I have tried and failed to teach myself to whistle).
- ‘Will be able to play eventually’ (i.e. without too much fuss). Seven bits.
- ‘Practice X3’. This is a slightly brainless technique of practising I perfected as a student that just involves going through the motions three times every day without worrying too much – it will get there in the end! There are seven such variations that I’ll give this treatment to.
- ‘Bits need help’ which means I need to focus on small, tricky passages in eight parts of the work
- ‘HELP!’. Intensive focus required. 10 strands.
In two months I want all 38 bits in column number one.
And then I’ll have another month to make sure I give the most committed performance I can of this amazing work. I’ll keep you updated…