Carter Double Concerto

Date: Friday 12th January, 8.00pm
Venue: LSO St. Luke’s (EC1V 9NG)

We’re hugely excited to kick of 2018 with a rare performance of Elliott Carter’s masterful Double Concerto, with Riot soloists Adam Swayne (Piano) and Goska Isphording (Harpsichord).  Carter’s work will be placed alongside two varied emerging American composers.  Molly Joyce, one of seven composers chosen in our 2017 Call for Scores will have a world premiere of a new work in this concert, and we will give the UK Premiere of Pierce Gradone’s To Paint Their Madness.  The concert will last an hour and will be followed by a drinks reception with the artists and composers.

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Ayre: BBC Radio 3 Open Ear

Date: Saturday 11th November, 7.30pm
Venue: Broadcast on BBC Radio 3, Live from LSO St. Luke’s (EC1V 9NG)

As part of the regular BBC Radio 3 programme Open Ear, we perform the London premiere of Ayre: Towed through plumes, thicket, asphalt, sawdust and hazardous air I shall not forget the sound of by Chaya Czernowin next two Clara Iannotta’s The people here go mad, they blame the wind and Mirela Ivičević’s Baby Magnify/Lilith’s New Toy – one of our 2017 Call for Scores commissions.

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Portfolio Workshop, LSO St Luke’s – 8.4.15

Yesterday, at LSO St. Luke’s, we workshopped three new pieces written for us by emerging UK composers Chloe Knibbs, Daniel Kidane, and Ed Nesbit.  In collaboration with Sound and Music, we commissioned these composers to write us new pieces featuring international soloists Rafal Luc, Heather Roche and Marco Fusi.

We’ll give the world premieres of all three of these pieces, along with three other pieces by Athena Corcoran-Tadd, Pedro Alvarez and Oliver Brignall, on 6th June at MeWe360.

The Shapes of a Square in Pictures

Thank you for all who came along to our concert this past Friday (08.03.13).  It was great to have you with us, and we hope you enjoyed hearing the music as much as we enjoyed playing it for you!  The Navarra Quartet were brilliant guests and gave fantastic performances of all five works on the programme.

We were so pleased to have another international composer with us (Gustavo Penha, from Brazil).  Gustavo had the opportunity to work with the Navarra Quartet on his piece estudo sobre gravitacao during the rehearsals at LSO St. Luke’s.

Composer Gustavo Penha working with the Navarra Quartet

We’ll be back soon with audio and video from the concert.  In the meantime, we hope you’ll check out our next concert – Songs and 7 Haiku – at The Warehouse, 7:30pm on Saturday 15th June!

The Navarra Quartet taking a well-earned bow at the end of the concert

A series of Riotous events!

“Why the ‘Riot’ Ensemble?” I’m quite often asked. I usually reply that our Artistic Director Aaron Holloway-Nahum dreamed up the name many years ago, pre- 2011, and has nothing to do with a quick smash for a new flatscreen or pair of trainers and, as far as I know, no-one’s tried to launch a brick through the window of one of our concerts (yet).

What we’re really referencing is the riotous feeling that occurs when new music meets new players and new ears for the first time; when composers, performers and audience come together and feel an equal and important part of the creative process. After all, these roles are never as separate as the national curriculum would have us believe.

Since pianists are surplus to requirements for our next concert of string quartets– at LSO St Luke’s on March 8th at 7.30pm- I shall be joining the audience at a Riot Ensemble concert for the first time. This well-deserved little ‘sabbatical’ has also afforded me the time to complete a new composition, so I am ticking all the GCSE boxes! My teachers would be proud.

I was asked by my colleague Dr Laura Ritchie at the University of Chichester to write a piece for many cellos with a few interesting and indeterminate variables, not least the actual number of players that will show up for her Cello Weekend (March 16/17) and the varying experience of these performers. I have dealt with similar situations before through my work with Contemporary Music for All (CoMA) and educational projects for the RNCM, and have learnt that this is not a challenge but rather a delicious opportunity to unleash experimental ideas upon performers and audience with a generous dollop of ‘riot’ to boot.


                                            The opening of Celli-Chela

In my piece for the RNCM – ‘Football Crazy’ for any large number of pianos – there was something of a riot at the first performance (this may have had as much to do with the face paint and whistles as it did the neon-tinged D7 chords). I built a competitive process into this piece that I turned to again in ‘Maggie Maggie Maggie! Sing Sing Sing!’. This encourages the performers to behave as musical wide-boys amassing pitch and dynamic as currency in a Thatcherite society (there’s no such thing!). Less competitive (but still interactive) I wrote ‘Many Dark Actor Playing Games’ for Cambridge University and CoMA, a political satire on the decisions leading up to the 2003 Iraq invasion ending with a mini-requiem for weapons expert Dr David Kelly.

Chela Earrings, no joke!

This new multi-cello piece eschews sport and politics in favour of zoology, but maintains the game processes I used in these other works. It’s called ‘Celli-Chela’- a punning reference to the pincer-like appendages on crabs or lobsters. Our crustacean-like cellists will be attempting to scuttle across a musical rockpool while ‘nipping’ other cellists using a snap pizzicato. The sonic result will be an ever-ascending blend of various extended techniques for cello in a slowly developing harmonic framework, rather like parts of Lachenmann’s quartets but without the hassle of notating it precisely… does this make me a lazy composer?

I suppose I’ll find out the answer to this last question (eek) on March 8th at the LSO St Luke’s concert, when we’ll hear new quartets by top composers from around the world. The Chichester Cello Weekend is on March 16th (concert 7.30pm) and 17th (concert 4pm), and also at the University of Chichester is a jamboree of new music on March 12th (7.30pm) featuring Tom Reid’s new score for the silent film Ballet Mecanique and David Sawer’s score for ‘Hollywood Extra’. Both films will be shown alongside the music, and the concert ends with Michael Daugherty’s piece for two Barbie sopranos and rock ‘n’ roll ensemble ‘What’s That Spell’.

Hope to see you at some of these riotous events!


The Shapes of a Square

At LSO St. Luke’s at 7:30pm on Friday 8th March, 2013.
Music for string quartet by Henri Dutilleux, Christopher Theofanidis, Giovanni Albini, Gustavo Penha and Aaron Holloway-Nahum.
Featuring the Navarra Quartet

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