We give the U.K. première of Utku’s Hayirli Olsun at our concert on February 16th at Brixton East 1871, 7.30pm. Find out more about him on his website, and read his thoughts on composing, conducting and his Turkish heritage in our interview below!
Harpsichordist Goska Isphording joined the Artistic Board of The Riot Ensemble after our Les Citations projects in 2014. Goska is one of Europe’s top contemporary specialists on the harpsichord, previously winning first prize as a soloist at the Krzysztof Penderecki International Competition of Contemporary Music 2002. Goska will be performing in two Riot Ensemble concerts in 2015, including our end of year concert, where we will premiere a new work by Jose Manuel Serrano, along with the two pieces chosen in our 2015 Call for Scores. Get to know Goska a bit better, in her answers to our questions below.
What is the most embarrassing thing that’s ever happened to you at a harpsichord?
During a recent chamber music concert in Tallin, I was performing a piece an approached a very busy – and specifically notated passage. Unfortunately, just before I began this, I accidentally switched off the needed registers on the harpsichord – so I ended up playing on a silent keyboard, moving my fingers all over the place with no sound. It was some time until a suitable moment came to get my sound back!
What are you looking forward to in 2015?
So many things, new things, that’s what makes playing contemporary music so exciting! Firstly, as an Artistic Director myself, I’m looking forward to the competition and festival Prix Annelie de Man, in Amsterdam. It’s a wonderful full week event, completely devoted to contemporary harpsichord music with special focus on presenting and promoting newly written repertoire performed by some of the world’s most talented young players.
Of course there are also all this season’s premieres: premiering new works is always like taking a journey to unknown landscapes. And of course this is what I’m always doing in the great projects of The Riot Ensemble: seeking to bring this exciting new repertoire to the audiences with the surprising twist (see the picture above, for example…)
What is your favourite Riot Ensemble story, so far?
Definitely the Les Citations rehearsals where we had a harpsichord, double bass, soprano, oboe and an entire array of percussion (including marimba and vibraphone) in the front room of your (Aaron’s) flat! Thankfully we had great weather those days so we could have lunch in the garden! I’m very much looking forward to the new stories of 2015!