Introducing: Goska Isphording

4 - GoskaHarpsichordist Goska Isphording joined the Artistic Board of The Riot Ensemble after our Les Citations projects in 2014.  Goska is one of Europe’s top contemporary specialists on the harpsichord, previously winning first prize as a soloist at the Krzysztof Penderecki International Competition of Contemporary Music 2002. Goska will be performing in two Riot Ensemble concerts in 2015, including our end of year concert, where we will premiere a new work by Jose Manuel Serrano, along with the two pieces chosen in our 2015 Call for Scores.  Get to know Goska a bit better, in her answers to our questions below.

What is the most embarrassing thing that’s ever happened to you at a harpsichord?
During a recent chamber music concert in Tallin, I was performing a piece an approached a very busy – and specifically notated passage.  Unfortunately, just before I began this, I accidentally switched off the needed registers on the harpsichord – so I ended up playing on a silent keyboard, moving my fingers all over the place with no sound.  It was some time until a suitable moment came to get my sound back!

What are you looking forward to in 2015?
So many things, new things, that’s what makes playing contemporary music so exciting! Firstly, as an Artistic Director myself, I’m looking forward to the competition and festival Prix Annelie de Man, in Amsterdam.  It’s a wonderful full week event, completely devoted to contemporary harpsichord music with special focus on presenting and promoting newly written repertoire performed by some of the world’s most talented young players.

Of course there are also all this season’s premieres: premiering new works is always like taking a journey to unknown landscapes.  And of course this is what I’m always doing in the great projects of The Riot Ensemble: seeking to bring this exciting new repertoire to the audiences with the surprising twist (see the picture above, for example…)

What is your favourite Riot Ensemble story, so far?
Definitely the Les Citations rehearsals where we had a harpsichord, double bass, soprano, oboe and an entire array of percussion (including marimba and vibraphone) in the front room of your (Aaron’s) flat!  Thankfully we had great weather those days so we could have lunch in the garden! I’m very much looking forward to the new stories of 2015!

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Les Citations (in memory of Henri Dutilleux)

Near the one-year anniversary of his death, The Riot Ensemble brings  Henri Dutilleux’s Les Citations to the Divinity School Recital Hall at St. John’s College, Cambridge. Presented along Dutilleux’s masterwork are an array of newly-commissioned works by composers from across the globe for the same lineup of instruments (with an additional soprano in two of the works).

These new pieces will come from Jose Manuel Serrano (Argentina), Jenna Lyle (USA), Arne Gieshoff (UK), Chris Roe (UK) and Drew Schnurr (USA).  The concert will also feature Ken Hesketh’s transcription of Dutilleux’s piano piece Blackbird (1950) for Les Citations forces, Arlene Sierra’s Petite Grue, and a short piece for Doublebass and Soprano by The Riot Ensemble’s 2014 Composer in Residence Amy Beth Kirsten.

 

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Les Citations (in memory of Henri Dutilleux)

Near the one-year anniversary of his death, The Riot Ensemble brings Henri Dutilleux’s Les Citations to The Forge, Camden. Presented along Dutilleux’s masterwork are an array of newly-commissioned works by composers from across the globe for the same lineup of instruments (with an additional soprano in two of the works).

These new pieces will come from Jose Manuel Serrano (Argentina), Jenna Lyle (USA), Arne Gieshoff (UK), Chris Roe (UK) and Drew Schnurr (USA).  The concert will also feature Ken Hesketh’s transcription of Dutilleux’s piano piece Blackbird (1950) for Les Citations forces, Arlene Sierra’s Petite Grue, and a short piece for Doublebass and Soprano by The Riot Ensemble’s 2014 Composer in Residence Amy Beth Kirsten.

 

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