Oi Kuu: Southampton

Date: Mon 21st Oct, 2019
Time: 1.00pm
Venue: Turner Sims, Highfield Campus, University of Southampton, SO17 1BJ
Find out more here

Revolving around the Bass Clarinet and its massive expressive and dynamic range, this chamber concert features four members of Riot Ensemble’s Artistic Board in music that is every bit as wild as it is intimate. 

The bombastic duo’s for Bass Clarinet and Saxophone from American composers Lee Hyla and Marc Mellits are paired with European musing Oi Kuu (for a moon) from Kaija Saariaho and Thierry Pécou’s amorphous Manoa. 

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Oi Kuu: Manchester

Date: Thur 24th Oct, 2019
Time: 1.10pm
Venue: Cosmo Rodewald Concert Hall, University of Manchester, M13 9PL
Cost: Free | Find out more here

Revolving around the Bass Clarinet and its massive expressive and dynamic range, this chamber concert features four members of Riot Ensemble’s Artistic Board in music that is every bit as wild as it is intimate. 

The bombastic duo’s for Bass Clarinet and Saxophone from American composers Lee Hyla and Marc Mellits are paired with European musing Oi Kuu (for a moon) from Kaija Saariaho and Thierry Pécou’s amorphous Manoa. 

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HCMF: Evan Johnson

Date: Sat 16th November, 2019
Time: 7.00pm
Venue: St Paul’s Hall, University of Huddersfield, HD1 3DH
Cost: Tickets £15 – £18 available online

Evan Johnson‘s Linke Hand eines Apostels (Left hand of an apostle) is a reflection on a sketch by Albrecht Dürer, a drawing which attends feverishly to details of vein, bone, skin, draped folds of cloth, and an almost painful-looking torsion of joints and knuckles–details largely lost in the oil painting that resulted.

This is paired with a composition by Swedish composer, Lisa Streich whose piece ZUCKER (SHOCKER) for motorised ensemble and Israeli-Swiss composer Omri Abram‘s search for an equilibrium in his wind quintet, Zohar (Iridescence).

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HCMF: Ann Cleare Portrait

Date: Fri 15th November, 2019
Time: 9.30pm
Venue: Huddersfield Town Hall, Corporation St, Huddersfield, HD1 2TA
Cost: Tickets £15 – £18 available online

In the first of two concerts at hcmf// 2019, The Riot Ensemble paints a portrait of Ann Cleare, one of Ireland’s leading modern composers. The first Irish composer to win the Ernst von Siemens award, Cleare’s work is a dialogue: her music talks to its environment, as well as its listener, constantly being shaped by the course of nature itself. For this concert, the malleable setting of Huddersfield Town Hall will transform into an open-plan forum; audience members will be immersed in the space, discovering how it carries Cleare’s music. Consummate shape-shifters, The Riot Ensemble are the perfect group to play – and place – Ann Cleare’s music.

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Screaming Shapes

Date: Tues 22nd October, 2019
Time: 7pm
Venue: University Hall, Shakespeare Street, Nottingham, NG1 4FQ
Cost: Tickets £5-£15 available online from nonsuch studios

Groundbreaking brings the very best contemporary music from the world’s top composers to Nottingham. This programme features the ever-present “Pierrot plus percussion” lineup in music that has been commissioned and featured by Riot Ensemble on our Speak, Be Silent, release.

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Vantage Point

Date: Tues 17th March, 2020
Time: 7pm
Venue: Cardiff University Concert Hall, Cardiff (CF10 3EB)

Riot Ensemble makes our third appearance at Cardiff University, with an array of chamber songs spatialized throughout Cardiff University’s concert hall, punctuated by virtuosic solos from Berio (Sequenza XIV) and Donatoni (Soft).

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Royal Liverpool Philharmonic: Close Up Concert

Date: Mon 25th Nov, 2019
Time: 8pm
Venue: Music Room, Royal Liverpool Philharmonic (L1 9BP)

Riot Ensemble feature in the Royal Liverpool Philharmonic’s Close Up Concerts series, giving you the chance to experience works by Kaija Saariaho, Lee Hyla, Bernhard Gander, Marc Mellits, and Matthias Pintscher in an intimate and relaxed setting in the Liverpool Philharmonic Music Room.

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November Music: Saunders & Osborn

Date: Sun 3rd Nov, 2019
Venue: ‘s-Hertogenbosch, The Netherlands

From their new album Speak, Be Silent, Riot Ensemble perform Rebecca Saunders’ Stirring Still II which continues her longstanding fascination with the writings of Samuel Beckett, sharing its title with Beckett’s final work of prose. Through its fragile and haunting soundworld, the piece’s brittle textures and distant keening explore minute musical activities on the edge of extinction.

Alongside this Laurence Osborn’s Ctrl which was premiered by Riot Ensemble at Huddersfield Contemporary Music Festival in 2017. Ctrl is a three movement song-cycle about masculinity written from the fragmented perspective of a male character and sung by a female singer.  

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