Percussionist Sarah Mason is the newest member of the Artistic Board of The Riot Ensemble. Sarah has consistently performed with us since our earliest days at Guildhall. She is also the principal percussionist of the Ossian Ensemble, has toured China, Russia and America with the LPO, and played on the recording for Howard Shore’s score for ‘The Hobbit’. Sarah will be performing in a trio of Riot Ensemble concerts in 2015, including our day of multiple performances of David Bird’s Fields in unannounced parks and venues throughout London. Get to know Sarah a bit better, in her answers to our questions below.
What is the most embarrassing thing that’s ever happened to you as a percussionist?
There have been so many…it’s hard to know where to start! I once had to chase a 6″4 fellow off the stage whilst wearing a black executers mask and beating a drum with whips…oh, and Aaron once made me run into a pile of chairs! It hurt but it was worth it – way more fun than embarrassing.
What is the loudest instrument you know of?
Weirdly the loudest sound I’ve ever heard was sitting next to a suspended cymbal while someone did the loudest roll on earth. It was epic, but I thought my head was going to explode. Again, totally worth it.
What are you looking forward to in 2015?
I can’t wait for the new commissions that come out of our Call for Scores. It’s brilliant working on a premiere with the composer. I feel like a piece is still a little bit mailable before it’s been performed/set, and it’s exciting for you to discover together what it will be like in 3D.
What is your favourite Riot Ensemble story, so far?
Again, there are just so many! Recent great Riot moments include giant breakfast butties during percussion rehearsals, watching everyone getting their rage faces on for the Riot photo shoot (perhaps I got particularly carried away…). Oh and Aaron keeps asking me how the really hard solo piece is going for the concert tomorrow… When there is no solo piece. Terrifies me every time.