Screaming Shapes

Date: Tues 22nd October, 2019
Time: 7pm
Venue: University Hall, Shakespeare Street, Nottingham, NG1 4FQ
Cost: Tickets £5-£15 available online from nonsuch studios

Groundbreaking brings the very best contemporary music from the world’s top composers to Nottingham. This programme features the ever-present “Pierrot plus percussion” lineup in music that has been commissioned and featured by Riot Ensemble on our Speak, Be Silent, release.

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RNCM Workshops

Date: Mon 25th Feb, 2019
Time: Afternoon
Venue: Royal Northern College of Music (Manchester)

Riot Ensemble makes our first trip up to Manchester to do a workshop with DMus students from the Royal Northern College of Music with pieces for Piano, Harpsichord, and Percussion; and an initial workshop with composer Larry Goves.

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Looper – Cafe Oto – London

Date: Wed 20th Feb, 2019
Time: 8.00pm
Venue: Cafe Oto (E8 3DL)

We make our Cafe Oto debut in an evening prefaced by Lee Hyla’s raucous duet We Speak Etruscan (for baritone saxophone and bass clarinet).  That piece is followed by sets where the Alexander Hawkins & Evan Parker Duo, and ENEMY each perform with Riot Ensemble musicians in PRS-funded commissions that blend notation, improvisation, and electronics.

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Looper – Birmingham

Date: Tues 19th Feb, 2019
Time: 8.00pm
Venue: The Hexagon (Birmingham, B12 9QH)

We make our Birmingham debut in an evening prefaced by Lee Hyla’s raucous duet We Speak Etruscan (for baritone saxophone and bass clarinet).  That piece is followed by sets where the Alexander Hawkins & Evan Parker Duo, and ENEMY each perform with Riot Ensemble musicians in PRS-funded commissions that blend notation, improvisation, and electronics.

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Solstices – World Premiere – Iceland

Date: Saturday 26th January
Venue: Dark Music Days, Nordic House, Reykjavík

Solstices is a 70-minute piece from Georg Friedrich Haas, which takes place entirely in darkness. For 10 musicians, including a completely re-tuned grand piano, Solstices opens with a passage of taut, energetic, and precise music.  From here the piece turns to a process of deep-listening by the musicians who, led by a totally re-tuned grand piano, play and tune a series of overtone chords.  Soon Haas introduces a variety of musical ‘games’ and elements that play upon the surface of this slowly moving texture.  Building to an intense climax, the final chord is held by the musicians for more than four minutes.  Haas writes:

very gradually the light comes back
the brighter the light, the softer the music
decrescendo al niente

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Solstices – London

Date: Tuesday 29th January, 8pm
Venue: The Royal Academy of Music, Theatre

Solstices is a 70-minute piece from Georg Friedrich Haas, which takes place entirely in darkness. For 10 musicians, including a completely re-tuned grand piano, Solstices opens with a passage of taut, energetic and precise music.  From here the piece turns to a process of deep-listening by the musicians who, led by a totally re-tuned grand piano, play and tune a series of overtone chords.  Soon Haas introduces a variety of musical ‘games’ and elements that play upon the surface of this slowly moving texture.  Building to an intense climax, the final chord is held by the musicians for more than four minutes.  Haas writes:

very gradually the light comes back
the brighter the light, the softer the music
decrescendo al niente

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Music for Heart and Breath

Date: Wed 5th Dec, 2018
Time: 8.00pm
Venue: Trinity Buoy Wharf (E14 0JY)

Presented as part of the Spitalfields Music Festival, this concert showcases three eclectic and exciting Canadian composers.  It includes the UK premieres of Christopher Mayo’s BEAST (originally written for Alarm Will Sound), and the rapidly upcoming Nicole Lizée’s BLACK MIDI (a co-commission with Gaudeamus Muziekweek, Avanti! and Stargaze), and a new, large ensemble version of Richard Reed Parry’s MUSIC FOR HEART AND BREATH, in which the musicians are led (in tempo) by their own heartbeats and breath.

All three composers will join us for the concert, which takes place near the waterfront across from the O2, at Trinity Buoy Wharf, a short walk from the East India (DLR) or Canning Town (Jubilee Line) stations.

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Alessandrini HCR Recording (2)

Date: Sun 2nd December
Venue: University of Huddersfield

After our exciting collaborations with Patricia Alessandrini at Goldsmiths earlier this year, we’re hugely excited to be involved in recording three of her pieces for an upcoming portrait disc on Huddersfield Contemporary Records.  We’ll travel up to Huddersfield and on 2nd December record her work for vocalist and large ensemble, Parlour Songs.

You can read an interview we did with Patricia here.

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Alessandrini HCR Recording (1)

Date: Sat 1st December
Venue: University of Huddersfield

After our exciting collaborations with Patricia Alessandrini at Goldsmiths earlier this year, we’re hugely excited to be involved in recording three of her pieces for an upcoming portrait disc on Huddersfield Contemporary Records.  We’ll travel up to Huddersfield and on 1st December record her chamber works Funeral Sentences and Parlour Songs.

You can read an interview we did with Patricia here.

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